Fumi Dan (labaru/karatun)

Ya fito a fina-finai da dama, ciki har da "It's Tough Being a Man: Torajiro's Pure Poetry Collection," "Mountain Cherry Blossoms," "Carrying Spring on My Back," da "Hit and Run: The Best, Worst Day," da kuma wasan kwaikwayo kamar "The Face of Japan," "Kura," "Kou-ga-tsuji," "Hana Moyu," "Semi Otoko," da "Himawari on the Board." An yaba masa saboda rage shingen da ke hana wakokin gargajiya ta hanyar salon nishadantarwa na wakokin "NHK Symphony Hour." A rediyon FM, "NHK Symphony Orchestra The Legend," ya gabatar da wasu daga cikin mafi kyawun wasan kwaikwayo na ƙungiyar makaɗa daga cikin tarihinta. Shi ma babban mai sha'awar wakokin gargajiya da opera ne. Ya kuma raba farin cikin fasaha a matsayin mai masaukin baki na "New Sunday Art Museum," da kuma kyawun wakokin gargajiya ta hanyar labarinsa na "Daily Manyoshu." An kuma yi maraba da rubuce-rubucensa sosai, inda "Idan Ka Ce Wannan, Ka Ci Wannan" ya lashe kyautar rubutun Kodansha ta 15.

AmahaAh!Akie (soprano)

Wannan mawaƙiyar soprano ta sami yabo mai yawa a gida da waje saboda muryarta mai daɗi. A shekarar 1995, ta sami lambar yabo ta Goto Memorial Al'adu ta 6 ga Sabbin Mawakan Opera. A wannan shekarar, ta fara rera waƙar Zerbinetta a Ariadne auf Naxos a ƙarƙashin sandar Christian Thielemann a bikin Rheinsberg, wata hanyar shiga sabbin hazikai. Ta lashe matsayi na farko a gasar kiɗa ta ƙasa da ƙasa ta Sarauniya Sonia ta Norway ta 3. Tun daga lokacin, ta zauna a Jamus, tana fitowa a gidajen wasan opera da bukukuwa da yawa a faɗin Turai, ciki har da Saxon State Opera da Komische Oper Berlin. A Japan, ta kuma fito a matsayin mai waƙa a New National Theatre, Suntory Hall Opera, da kuma wasan kwaikwayo na yau da kullun daga manyan ƙungiyar makaɗa. Ita memba ce ta kwamitin Tokyo Opera NEXT, kuma tana haɓaka wasan opera sosai ta hanyar tallafawa matasa mawaƙa da kuma samar da wasan opera tare da sharhi. Ita kuma memba ce a Kwamitin Gudanarwa na Ƙungiyar Rossini.

Kensuke Takahashi (piano)

Ya kammala karatunsa daga Sashen Kiɗa a Jami'ar Fasaha ta Tokyo kuma ya kammala karatunsa a Makarantar Digiri na Biyu ta Kiɗa, inda ya yi babban digiri a fannin Kiɗa. Ya sami digirin digirgir a fannin Kiɗa daga Makarantar Digiri na Jami'ar Seitoku, tare da takardar digiri kan Mozart's Recitative Secco. Tun daga shekarar 2022, ya kasance memba na ma'aikatan kiɗa a New National Theatre, yana shiga cikin shirye-shirye da yawa a matsayin mai piano da mataimakin jagoran. Tun daga shekarar 2014, ya kasance memba na Kwalejin Opera a S. Amadeus har zuwa 2016, yana yin piano guda biyu a cikin wasannin kwaikwayo da Kazuyoshi Akiyama ya gudanar, da sauransu. Ya kuma gudanar da ƙungiyoyin makaɗa da yawa, ciki har da Hiki Symphony Orchestra. Malami ne a Cibiyar Horar da Nikikai Opera kuma malami ne na ɗan lokaci a Jami'ar Fasaha ta Okinawa.

Toshihiko Urahisa (Navigator)

Marubuci kuma mai shirya al'adu. Daraktan Karuizawa Book Forest, Wakilin Daraktan Gidauniyar Turai don Fasaha ta Japan, kuma Mai Ba da Shawara kan Ilimi ga Hukumar Ilimi ta Aichi Prefectural. A watan Maris na 2021, "Gifu Future Music Exhibition 2020," wanda ya shirya a matsayin Daraktan Kiɗa na Salamanca Hall, ya lashe kyautar Saji Keizo ta 20 daga Suntory Foundation for Arts. Littattafansa sun haɗa da "Shekaru Biliyan 138 na Tarihin Kiɗa" (Kodansha), "Me Ya Sa Franz Liszt Ya Sa Mata Suma?" da "The Violinist Called the Devil" (dukansu Shinchosha), "Is There a Future for Orchestras?" (an yi wa jagora Kazuki Yamada) (Artes Publishing), da "Liberal Arts: Mastering 'Play' to Become a Sage" (Shueisha International). Sabon littafinsa shine "Mawaka Read Books: Toshihiko Urahisa's Random Reading Dojo" (Artes Publishing).

Tikitin stub sabis na Apricot Wari