

Harkokin jama'a / takarda bayani
Wannan rukunin yanar gizon (wanda ake kira nan gaba "wannan rukunin yanar gizon") yana amfani da fasahohi kamar su cookies da kuma tags don amfanin inganta amfani da wannan rukunin yanar gizon ta abokan ciniki, talla bisa ga tarihin samun dama, fahimtar matsayin amfani da wannan rukunin yanar gizon, da sauransu. . Ta danna maɓallin "Amince" ko wannan rukunin yanar gizon, kun yarda da amfani da kukis don dalilan da ke sama da kuma raba bayananku ga abokan hulɗarmu da 'yan kwangila.Game da sarrafa bayanan sirriKa'idodin Sirrin Promungiyar Promungiyar Al'adu na Ota WardDa fatan za a koma zuwa.


Harkokin jama'a / takarda bayani
An bayar da Oktoba 2024, 7
Takardar Bayanin Bayanin Al'adun Gargajiya na Ota "ART bee HIVE" takarda ce ta kwata-kwata wacce ke dauke da bayanai kan al'adu da zane-zane na cikin gida, wanda Kungiyar Inganta Al'adun Ota Ward ta wallafa tun daga faduwar shekarar 2019.
"BEE HIVE" na nufin gidan kudan zuma.
Tare da mai kawo rahoto na yankin "Mitsubachi Corps" wanda aka tattara ta hanyar ɗaukar sabbin ma'aikata, za mu tattara bayanan fasaha mu isar da su ga kowa!
A cikin "+ bee!", Za mu sanya bayanan da ba za a iya gabatar da su a takarda ba.
Mutumin mai fasaha: Satoru Aoyama + kudan zuma!
Wurin fasaha: Atelier Hirari + kudan zuma!
Hankalin gaba EVENT + kudan zuma!
Artist Satoru Aoyama yana da atelier a Shimomaruko kuma yana taka rawa a cikin abubuwan fasaha a Ota Ward. Ina gabatar da ayyukana ta amfani da wata hanya ta musamman ta yin kwalliya ta amfani da injin dinki na masana'antu. Mun tambayi Mista Aoyama, wanda aikinsa ya mayar da hankali kan sauyin yanayi na mutane da kuma aiki saboda injiniyoyi, game da fasaharsa.
Aoyama-san tare da injin ɗin da ta fi so a atelier dinta
Da fatan za a gaya mana game da haduwarku da fasaha.
“Kakana mai zane ne a wurin nune-nunen Nika, haduwata ta farko da fasaha ita ce lokacin da aka kai ni wurin nune-nunen tun ina karama ina kallon kakana da zane-zane, sai da na shiga jami’a cewa na shiga Goldsmiths College, Jami'ar London, a lokacin YBA (Young British Artist) zamanin , London a cikin 90s shine gwaninta na farko da fasahar zamani.
Me ya sa ka zaɓi yin nazarin fasahar yaɗa?
``Ina so in yi karatu a sashen fasaha mai kyau, amma ban iya shiga ba saboda an yi rajista sosai (lol).Lokacin da na shiga sashen zane-zane, ya bambanta da abin da nake tsammani. Ina so in yi nazarin zane-zane. kamar a makarantun Jafananci Ba wurin koyo ba ne.Tsarin fasaha mai kyau da kayan sakawa.A cikin tarihin fasaha da maza suka mamaye, ta haɗu da ƙungiyoyin mata* kuma ta shiga duniyar fasaha ta amfani da dabarun da ta noma a gida Ban san sashen da nake nema ba ne, amma sai da na shiga na gane hakan."
Me ya sa kuka zaɓi yin kwalliya ta amfani da injin ɗinki na masana'antu a matsayin hanyar magana?
``Lokacin da ka shiga sashen zane-zane, za ka fuskanci duk fasahohin da suka shafi yadi, kayan ado na inji, allon siliki, saka, saƙa, kaset, da dai sauransu 'yan ajin mata ne.Saboda yanayin sashen dalibai mata ne kawai, don haka duk abin da namiji ya yi yana da nasa ma'anar. A gare ni, yana da sauƙi in yi mamakin menene ma'anar.''
"Labarai Daga Babu Inda (Ranar Ma'aikata)" (2019) Hoto: Kei Miyajima ©AOYAMA Satoru Ladabi na Mizuma Art Gallery
Mr. Aoyama, za ka iya magana game da takenka na alakar da ke tsakanin aiki da fasaha?
''Ina ganin aiki na daya daga cikin harsunan da injinan dinki ke da su tun da farko. Injin dinki kayan aiki ne na aiki na nazarin motsin fasaha da fasaha na Biritaniya, * lokacin da zamani ke canzawa daga aikin hannu zuwa na'ura, babu makawa aiki ya zo a matsayin kalma mai mahimmanci.
Shin wannan jigo ne tun farkon ayyukanku?
''Na fara ayyana aiki a matsayin ra'ayi fiye da shekaru 10 da suka gabata. A wancan lokacin, daidai ne a lokacin Shock Lehman*. Duk wanda ke kusa da ni ya fara cewa, ''Karshen jari-hujja ya zo''. Kafin wannan, akwai ɗan kumfa masu fasaha na IT suna siyan fasaha da yawa yanzu waɗanda masu tattarawa ba su da sha'awar, Ina jin tashin hankali.
"Mutumin da yake da hankali ga fasaha zai daina amfani da inji" (2023) Sanye da polyester
Akwai dinkin hannu, akwai injinan dinki na hannu, akwai injin din dinki na lantarki, akwai injin dinkin kwamfuta. Ina tsammanin na'urar dinki kayan aiki ne mai ban sha'awa, yayin da layin tsakanin na'ura da aikin hannu ke canzawa a kan lokaci.
"Haka ne. Daya daga cikin na baya-bayan nan ayyukana shi ne zane-zane kai tsaye daga wani littafi na takarda da William Morris ya rubuta, wanda ya jagoranci harkar fasaha da fasaha. Lokacin da ka bude shafi wanda aka manna a kai, layin sun kasance a ciki da zaren phosphorescent. Littafi ne da nake karantawa tun ina ɗalibi, ko kuma in yi ishara da shi lokaci zuwa lokaci. Ya ce, ''Mai hankali da yabo ga fasaha ba zai yi amfani da na'ura ba'' - Ga Morris, Ƙungiyar Arts da Crafts ta kasance farfaɗo da sana'o'in hannu a matsayin wani zargi game da karuwar kayan aikin jari-hujja. Ga Morris, Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙadda tọn ne da ke da ) ya yi ya kasance hanyar haɗi tsakanin aikin hannu da ƙungiyoyin zamantakewa fasaha ta zama fasaha.''Yanzu, hatta tsohuwar injin dinki da aka yi da hannu ana iya ganinta a matsayin kyakkyawan aiki.
Aikin injin da Morris ya gani ba aikin injin ba ne.
``Duk da wannan, ma'anar sana'ar hannu ba ta canza ba.Kyawun aikin hannun ɗan adam shine kansa, kuma ya kai matsayin da yake kama da kansa Injin dinki, wanda tun ina dalibi nake amfani da shi, yana da matukar muhimmanci a gare ni, kuma amfani da tsofaffin injuna yana haifar da suka ga sabbin fasahohi, shi ya sa na zabi injin din din.
Shekara nawa na'urar dinki da kuke amfani da ita a halin yanzu?
“Wannan na’urar dinki ce da aka yi kiyasin cewa an yi ta ne a shekarun 1950, amma ko wannan na’urar kayan aiki ce da za ta bace nan ba da jimawa ba, wannan injin dinkin dinki ne a kwance a kwance. Idan ka girgiza shi a hannunka. , za ku iya zana layi mai kauri a cikin tsarin zigzag, duk da haka, akwai masu sana'a da za su iya amfani da wannan na'ura, kuma yanzu komai ya zama dijital, don haka ina mamakin ko injin dinki na kwamfuta zai iya yin wannan. Na'urar dinki na iya yin hakan ba wai kawai sukar jari hujja ba ne, amma kayan aiki ne da zai iya haifar da suka."
Menene bambanci tsakanin zargi da suka?
" zargi yana haifar da rarrabuwa, zargi ya bambanta. Art harshe ne daban-daban fiye da kalmomi. Ta hanyar harsuna daban-daban na fasaha, mutanen da ke da dabi'u daban-daban ya kamata su iya sadarwa da juna. Yana da ɗan jima'i. Duk da haka, na yi imani da cewa fasaha tana da rawar da za ta iya wargaza rarrabuwar kawuna maimakon haifar da su.
"Mr. N's Butt" (2023)
Yayin cutar sankara na coronavirus, kuna gabatar da ayyuka ta amfani da riguna da jaket waɗanda za ku iya sawa a zahiri azaman zane. Me kuke tunani game da dangantakar dake tsakanin rayuwa da fasaha?
"Shimomaruko yanki ne mai kananan masana'antu da yawa, yankin da ke kewaye da wannan katafaren masana'anta kuma karamar masana'anta ce, a baya akwai wata masana'anta ta iyali wacce ta shafe shekaru 30 tana kasuwanci tana yin na'urorin sanyaya na'urar sanyaya iska, kasuwancin ya tabarbare saboda yadda masana'anta ke aiki. coronavirus, kuma a lokacin ... Uban ya rasu dansa ya karbi kamfanin, amma masana'antar ta rufe kuma ta bace a bayan aikin wani aikin da na ƙirƙira bisa guntun sigari da aka samu a gaban ƙofar wata masana’anta. Wannan aikin ya dogara ne akan sigari da wataƙila mai masana’anta ya sha. Ni ma na ji daɗi.”
Ji yake kamar an mayar da wani yanki na rayuwar yau da kullun zuwa wani yanki na fasaha.
"A lokacin da cutar ta kwalara, na yi magana da ma'aikatan masana'antu game da yadda ake aiki tuƙuru a baya-bayan nan. Duk waɗannan mutanen sun ɓace ba zato ba tsammani. An bar duk injuna da kayan aiki. Na kasance ina yin zane-zane bisa taken, amma a cikin A hankali, shi ne kawai ra'ayi. Don gaskiya, Ina mamakin ko zan iya haɗa shi da rayuwata , matsalolin rayuwa da aiki sun zama matsalolin kaina. Wannan taba sigari, don yin magana.wasuWannan ba abin takaici bane? Akwai wani ji na laifi wajen yin aikin musibar wasu. Haka ne, yana iya faruwa da ni, kuma yana faruwa a duk faɗin Japan a yanzu. Idan na kasance a cikin matsayi na ƙirƙira wani yanki, tabbas zan mayar da shi cikin fasaha. ”
"Rose" (2023) Hoto: Kei Miyajima ©AOYAMA Satoru Lardin Mizuma Art Gallery
Da fatan za a yi magana game da alaƙa tsakanin azanci da akida.
``Ina tsammanin William Morris wani mai fasaha ne wanda ya nuna cewa an haɗa ma'anar kyawawan dabi'u da ƙungiyoyin zamantakewa. Akwai yanayin yanzu cewa fasaha ba dole ba ne ya zama kyakkyawa, amma har yanzu ina tsammanin yana da kyau a sami wani abu mai kyau yana nufin sha, amma akwai darajar a cikin kyawawan abubuwa masu kyau da ba-kyau ba. Misali, ayyukan taba na ba lallai ba ne su taɓa kyakkyawa, amma suna da kyau a cikin ma'ana a cikin 2011, na yi fure mai sauƙi. musamman ma a cikin shekarar girgizar kasa. Masu zane-zane da suka kirkiro ayyuka bisa ga kayan ado sun ce wannan, wanda ya sa ni jin dadi kadan. Don sanya shi a gaskiya, aikin fasaha ba kawai don wannan lokacin ba, amma watakila shekaru 100 daga yanzu. Ina ganin daban ne."
A gaskiya ma, muna yin sababbin bincike lokacin da muka haɗu da fasaha daga shekaru 100 ko 1000 da suka wuce.
''Muryar da ba ta dace ba game da fasaha ta yadu, kuma kowa yana faɗin haka, don haka sai na yanke shawarar ƙirƙirar aikin da ya shafi kayan ado kawai, kuma na bar aikin da kawai ya shafi kayan ado kawai a waccan shekarar lokaci da suka wuce, amma lokacin da na waiwaya baya, a cikin 2011 na yi guda 6 kawai, tare da niyyar mayar da hankali kawai akan wardi. Idan waɗannan wardi sun kasance ayyukan da suka danganci kayan ado, to, sassan taba sun kasance gaba ɗaya , wani abu ne da zai bace, shara ne ina ganin akwai abubuwa da dama da suka taba wadannan abubuwa biyun.
Duban shigarwa ("Sadaukarwa ga Masu Ƙarfafa Sunan Suna" (2015) Mizuma Art Gallery) Hoto: Kei Miyajima ©AOYAMA Satoru Lardin Mizuma Art Gallery
Akwai wani bangare na fasaha na zamani wanda dole ne ya tabbatar da ingancin akida.
“Misali, sa’ad da nake yin sana’a, mutane suna mamaki, ‘Me ya sa aka yi masa ado?’’ “Me ya sa” da ma’anarsa.” Abin da nake gaya wa matasa da suke so su zama masu sana’a. artists ne, Abin da ke da muhimmanci shi ne naka ra'ayi, ba abin da ake kira capitalized ra'ayi. Yana da abin da ake kira motivation. Me ya sa kuke yin haka? Yaya girma shi ne cewa dalilin da za a yi gaggawar ana gwada kwarin gwiwa."
"Don kiyaye wannan dalili, yana da mahimmanci don saduwa da falsafar falsafa da ra'ayoyi daban-daban, da kuma al'amuran zamantakewa. Rayuwar mai zane yana da tsawo. Ina da shekaru 50 a wannan shekara, amma akwai yiwuwar in Ban ko da rabin tafiya ba tukuna domin in kasance sabo da ƙwazo a tsawon aikina na mai fasaha, dole ne in buɗe kunnuwana, in karanta littattafai, in zaga gari, in ga abin da ke faruwa (dariya).
*YBA (Young British Artists): Kalma na gaba ɗaya ga masu fasaha waɗanda suka yi fice a Burtaniya a cikin 1990s. An ɗauko shi daga nunin suna iri ɗaya da aka gudanar a Saatchi Gallery na London a 1992.
Damien Hirst: Mawaƙin zamani wanda aka haife shi a Ingila a cikin 1965. An san shi da ayyukansa waɗanda ke ba da ma'anar rayuwa a cikin mutuwa, gami da ''Rashin yuwuwar Mutuwa ta Jiki a cikin Hankalin Rayuwa'' (1991), wanda shark ya jiƙa a cikin formalin a cikin babban akwatin kifaye. A cikin 1995, ya lashe lambar yabo ta Turner.
*Matsalar mata: Ƙungiya ce ta zamantakewa da nufin 'yantar da mutane daga kowane nau'i na nuna bambancin jima'i bisa ra'ayin 'yantar da mata.
* Motsin Sana'a da Sana'a: Ƙarni na 19 na ƙirar Birtaniyya wanda William Morris ke jagoranta. Sun yi adawa da wayewar injina wanda ya biyo bayan juyin juya halin masana'antu, sun ba da shawarar farfado da sana'o'in hannu, da zamantakewar al'umma da a aikace na sana'a, tare da ba da shawarar hadewar rayuwa da fasaha.
*Lehman Shock: Wani al'amari da ya fara da fatara na bankin zuba jari na Amurka Lehman Brothers a ranar 2008 ga Satumba, 9, wanda ya haifar da rikicin kudi da koma bayan tattalin arziki a duniya.
*William Morris: An haife shi a shekara ta 1834, ya mutu a shekara ta 1896. Ƙarni na 19 Mai ƙirƙira masaku na Biritaniya, mawaƙiyi, marubucin fantasy, kuma mai fafutukar gurguzu. Jagoran Sana'o'i da Sana'o'i. Ana kiransa "uban zane na zamani." Manyan wallafe-wallafen nasa sun haɗa da ''Farin Mutum'', ''Wasiƙar Utopia'', da ''Dazuzzuka Bayan Duniya''.
*McLuhan: An haife shi a shekara ta 1911, ya rasu a shekara ta 1980. Masu sukar wayewa da mai ra'ayin yada labarai daga Kanada. Manyan wallafe-wallafen ta sun haɗa da ''Mashin Bride: Folklore of Industrial Society,' ''Gutenberg's Galaxy,'' da ''Ka'idar Ƙarfafa Dan Adam: Fahimtar Watsa Labarai.''
* Injin dinki na kwance: Allurar tana motsawa hagu da dama, tana yin wasiƙa da ƙira kai tsaye akan masana'anta. Babu wata ƙafar matsewa da za ta tabbatar da rigar, kuma babu aikin ciyar da rigar ɗin da aka ɗinka. Yayin da ake taka ƙafar ƙafa don daidaita saurin da allurar ke motsawa, danna lever tare da gwiwa ta dama don matsar da allurar a gefe don ƙirƙirar faɗin hagu da dama.
An haife shi a Tokyo a shekara ta 1973. Ya sauke karatu daga Goldsmiths College, Jami'ar London, Sashen Yada a 1998. A 2001, ya sami digiri na biyu a fannin fasaha daga Cibiyar Fasaha ta Chicago. A halin yanzu ana zaune a Ota Ward, Tokyo. Manyan nune-nunen nune-nunen a cikin 'yan shekarun nan sun hada da "Bayyana: Fabric of Our Life" (Cibiyar Tarihi ta Arts & Textile, Hong Kong) a cikin 2019 da "Lambar Dress? - Wasan Mai Sayi" (Tokyo Opera City Gallery) a cikin 2020. Akwai.
Satoru Aoyama
Yi tafiya na mintuna 8 tare da waƙoƙi daga tashar Unoki akan Layin Tokyu Tamagawa zuwa Numabe, kuma za ku ga wani matakala da aka rufe da katako. Bene na biyu a sama shine Atelier Hirari, wanda aka buɗe a cikin 2. Mun yi magana da mai shi, Hitomi Tsuchiya.
Shigar da aka cika da dumin itace
Fitilar LED da mai shi Tsuchiya, wanda aka zaba a matsayin daya daga cikin ''Masu fasaha na Ota'' 100
Da fatan za a gaya mana yadda kuka fara.
``Ina son kiɗa tun ina ƙarami, kuma lokacin da nake zaune a Yokohama, na yi aikin sa kai na tsawon shekaru biyar a wani shagali da ke mai da hankali kan kiɗan gargajiya da aka gudanar a gidan tarihi na Okurayama na tsawon shekaru 5, na shirya kuma na gudanar da kide-kide sau hudu a shekara a cikin bazara, bazara, kaka, da kuma hunturu tare da abokai biyar masu son kiɗa. A shekara ta 5, na ƙaura a matsayin gida da wurin aiki, kuma a wannan shekarar na zama abokantaka da Yukiji Morishita * na ɗan wasan violin tare da dan wasan pian Yoko Kawabata*. Sautin ya yi kyau fiye da yadda nake tsammani, kuma nan da nan na san ina son ci gaba da gudanar da kide-kide na salon."
Don Allah a gaya mani asalin sunan shagon.
''Ya kasance 'yar yarinya, amma na zo da sunan ''Hirari'' tare da ra'ayin cewa '' wata rana wani abu mai ban sha'awa da ban sha'awa zai zo mini. ƙara atelier zuwa gare shi kuma ku sanya shi Atelier Hirari,'' don haka ya zama ''Atelier Hirari''.
Za a iya gaya mana game da manufar kantin?
"Muna so mu sa waƙar ta fi dacewa. Muna so mu ƙara yawan masu sha'awar kiɗa. Muna aiki don gudanar da kide-kide da abokan ciniki, masu yin wasan kwaikwayo, da ma'aikata za su ji dadin tare. Muna kuma gudanar da nune-nunen da kuma abubuwan da suka faru. Ina so ya zama wuri. wanda ke wadatar da zukatan mutane kuma yana sanya murmushi a fuskarsu."
Hankalin gaskiya na musamman ga kide-kiden salon: Sho Murai, cello, Kitkin Jamusanci, piano (2024)
Nunin Painting Junko Kariya (2019)
Nunin rini na Ikuko Ishida (2017)
Da fatan za a gaya mana game da nau'ikan da kuke sarrafa.
''Muna gudanar da kide-kide iri-iri, da suka hada da kade-kade na gargajiya, jazz, da wakokin gargajiya. jerin. Har ila yau, ina da cikakken abincin abinci tare da kiɗa da abinci na Faransa don mutane 20 kawai. Ina kuma yin wani abu mai ban mamaki: abinci na kaiseki da kiɗa, don haka zan iya zama mai sauƙi.
Shin ainihin wani abu ne da Tsuchiya ke sha'awar kuma ya yarda da shi?
''Haka ne, ban da haka, na yi sa'a kuma na ci karo da wani abu a daidai lokacin da ba ni da halin fita daga hanyata don neman wani abu, sai na sami kaina ina tunani, ''Wayyo, menene. abin al'ajabi da zan ci karo da shi''.
Wannan yana da alaƙa da abin da muke magana a kai a yanzu, amma menene hanyoyin da ma'auni na zabar marubuta da masu fasaha?
``Misali, a fannin wa}a, abin da ya fi kyau shi ne jin yadda wani ya yi a wurin sha}atawa, na tabbata za ku yi mamaki da yawa dadi tare da babban mataki, amma wasu ba sa so su kasance kusa da masu sauraro Idan ya zo ga nune-nunen ayyukan masu fasaha, kawai wani abu ne na dama Bayan haka, na zabi ayyukan da suka dace da sararin samaniya.
Ta yaya kuke samun kide-kide da nune-nunen da za ku je?
''Ƙarfin jiki na yana raguwa kowace shekara, don haka ina zuwa raye-raye kaɗan. Ana yin kide-kide na Jazz da daddare. Duk da haka, lokacin da na sadu da wani mai wasan kwaikwayo, na ƙare da dangantaka mai tsawo da su har tsawon 20 zuwa 30. shekaru.'' Har ila yau, ƙwararrun ƴan wasan kwaikwayo suna kawo manyan taurari tare da su. Matsala ta yanzu ita ce ina son wannan mutumin ya bayyana, amma jadawalina ya cika kuma dole ne in yi shi a shekara mai zuwa.
Na ji cewa kuna shan shayi tare da masu yin wasan kwaikwayo bayan wasan kwaikwayo don Allah ku gaya mana wannan.
``Idan akwai abokan ciniki da yawa, mukan tashi, amma idan lokacin hutu ya yi, muna gayyatar ku ku zauna kusa da tebur, ku ji daɗin shayi da abubuwan ciye-ciye masu sauƙi, kuma ku haɗu da ’yan wasan kwaikwayo yana da wuya a gamu da wani kusa , musamman idan ana magana da su kowa yana jin daɗi sosai.
Menene martani daga masu fasaha?
"Ba mu da dakin jira, don haka muna da mutane suna jira a falo a sama. Mutanen da suka bayyana sau da yawa sun ce yana jin kamar dawowa gidan dangi. Wasu ma sun yi barci a lokacin da wani bassist da ke yin wasa a kamfaninmu a karon farko ya ci karo da wani dan wasan kwaikwayo yana saukowa daga bene na sama a bakin kofar shiga, sai ya yi mamaki ya ce, “Kai, kana zaune a nan.” A fili, mutane sun yi min rashin fahimta. saboda naji dadi sosai (lol).
Wanene abokan cinikin ku?
“Da farko yawancin abokaina ne da na sani, ba mu ma da gidan yanar gizo, don haka maganar baki ta yadu, mun fara ne shekaru 22 da suka gabata, don haka kwastomomin da suka dade suna zuwa sun fito ne daga ‘yan kadan. Mutanen da suka kai shekaru 60 a wancan lokacin yanzu sun kai shekaru 80. Na dauki hutu na tsawon shekaru uku saboda cutar sankarau, amma hakan ya ba ni dama, kuma a wata ma'ana, a halin yanzu ina cikin halin rashin tabbas. lokacin mika mulki.Mutane da yawa suna cewa sun ga hoton a Seseragi Park.
Shin har yanzu akwai mutane da yawa a yankin?
“A da, akwai mutane kaɗan a Unoki abin mamaki. A gaskiya ma, an sami ƙarin a Denenchofu, Honmachi, Kugahara, Mt. Ontake, da Shimomaruko. Ina mamakin dalilin da yasa suka guje shi. Yana da bene na biyu, don haka yana da ɗan wahala. Don haka, adadin bishiyun ya karu a hankali, kuma muna samun kira daga mutanen da suka gan su yayin wucewa, don haka abubuwa suna tafiya daidai.
Akwai mutane da yawa daga nesa?
''Muna yawan samun magoya bayan 'yan wasan kwaikwayo Suna da sha'awa sosai kuma sun zo daga Kansai da Kyushu. Ga abokan cinikin gida da masu sha'awar, ''Atelier Hirari'' yana ba su damar kusanci da masu wasan kwaikwayo ya faru, don haka ina burge ni sosai."
Nuni na musamman "Birnin Antique"
Da fatan za a gaya mana game da ci gaban ku da abubuwan da za ku yi a nan gaba.
``Ban san nisan da za mu iya ba, amma da farko, ina so in ci gaba da gudanar da kide kide da wake-wake na dogon lokaci, haka nan, za a yi lokacin shayi, don haka ina fata matasa da yawa za su zo kuma abin ya zama ruwan dare. Ina ganin yana da kyau a lokacin da wani mai zane-zane da ke yin baje kolin a nan ya zo wurin wani shagali, sai ya ce, ''Atelier Hirari yana kama da perch''.
Menene fara'a na Unoki?
``Unoki har yanzu yana da kwanciyar hankali sosai, kuma ina tsammanin gari ne mai sauƙi don zama a ciki. Kuna iya jin daɗin yanayi a kowane yanayi, kamar wuraren shakatawa da ke kusa da Kogin Tamagawa da Seseragi Park. Ko da yake yawan jama'a yana ƙaruwa, a can. ba surutu da yawa ba. ''Bana tsammanin akwai."
A ƙarshe, don Allah a ba da sako ga masu karatun mu.
"Ina so yawan masu sha'awar kiɗa ya karu ta hanyar sauraron wasan kwaikwayo na kiɗa. Haɗu da ayyukan da kuka fi so a nune-nunen da nunawa da yin amfani da su a cikin rayuwar ku na yau da kullum zai wadatar da rayuwar ku. Jin daɗi Zan yi farin ciki idan za ku iya raba abubuwan ku, ku ciyar. lokaci tare da murmushi, jin dumi a cikin zuciyarka, kuma yada wannan dumin ga abokanka, dangi, da al'umma.
* Zauren Tunawa na Birnin Yokohama Okurayama: An kafa shi a cikin 1882 (Showa 1971) ta Kunihiko Okura (1932-7), ɗan kasuwa wanda daga baya ya zama shugaban Jami'ar Toyo, a matsayin babban ginin Cibiyar Nazarin Al'adun Ruhaniya ta Okura. A cikin 1984, an sake haifuwarta azaman Zauren Tunatarwa na Birnin Yokohama Okurayama, kuma a cikin 59, Birnin Yokohama ya ayyana shi azaman kayan al'adu na gaske.
*Yukiji Morishita: Jafananci violist. A halin yanzu babban mawaƙin solo na Orchestra na Osaka Symphony. Ya kuma kasance mai ƙwazo a cikin kiɗan ɗaki. Tun daga 2013, ya kasance Farfesa na musamman a Kwalejin Kiɗa ta Osaka.
*Yoko Kawabata: Pianist na Japan. Har zuwa 1994, ya koyar da azuzuwan kiɗa ga yara a Toho Gakuen. A ƙetare, ya halarci taron karawa juna sani na kiɗa a Nice da Salzburg, kuma ya yi wasan kwaikwayo na tunawa. A cikin 1997, ya yi rawar gani a wani bikin fasaha a Seville, Spain.
*Toshihiro Akamatsu: Jafananci vibraphonist. Ya sauke karatu daga Kwalejin Kiɗa na Berklee a 1989. Bayan ya koma Japan, ya buga makada irin su Hideo Ichikawa, Yoshio Suzuki, da Terumasa Hino, sannan ya fito da nasa makada a bukukuwan jazz, TV, da rediyo a duk fadin kasar. Ayyukansa na 2003 "Har yanzu a kan iska" (TBM) an zaba shi don lambar yabo ta Jazz Disc Award Japan Jazz Award.
Wuri mai annashuwa wanda yake jin kamar ɗaki na kowa
Naoki Kita & Kyoko Kuroda duo
Satoshi Kitamura & Naoki Kita
na gargajiya
Don cikakkun bayanai, da fatan za a duba shafin farko na "Atelier Hirari".
Gabatar da abubuwan fasaha na bazara da wuraren fasaha da aka nuna a cikin wannan fitowar.Me ya sa ba za ku fita neman fasaha na ɗan lokaci kaɗan ba, balle unguwar?
Da fatan za a bincika kowace lamba don sabon bayani.
| Kwanan wata da lokaci | Asabar 7 ga Oktoba zuwa Lahadi 6 ga Nuwamba 12: 00-19: 00 |
|---|---|
| 場所 | GALLERY futari (Ginin Satatsu, 1-6-26 Tamagawa, Ota-ku, Tokyo) |
| Farashi | hanyar shiga kyauta |
|
Tauraro / Tambaya |
GALLERY futari |
"An kewaye da furanni"
|
Kwanan wata da lokaci |
Yuni 7th (Litinin) -June 8th (Laraba) |
|---|---|
| 場所 | Granduo Kamata West Building 5th bene MUJI Granduo Kamata store (7-68-1 Nishi Kamata, Ota-ku, Tokyo) |
| Farashi | hanyar shiga kyauta |
| Oganeza / Tambaya |
Studio Zuga Co., Ltd., WORKSHOP NOCONOCO |
Wasan kida "Anne na Green Gables" Ota Civic Plaza Large Hall (an yi ranar 2019.8.24 ga Agusta, XNUMX)
|
Kwanan wata da lokaci |
Lahadi, 8 ga Disamba |
|---|---|
| 場所 | Lambun filin jirgin sama na Haneda 1st bene babban falo "Noh stage" (2-7-1 Filin jirgin saman Haneda, Ota-ku, Tokyo) |
| Farashi | hanyar shiga kyauta |
| Oganeza / Tambaya |
EXPRESSION General Incorporated Association |
| Co-tallafawa |
Daejeon Tourism Association |
| Tallafi |
Ota Ward, Tourism Canada |
|
Kwanan wata da lokaci |
Asabar 8 ga Agusta zuwa Litinin 10 ga Satumba |
|---|---|
| 場所 | Art / gidan fanko mutane biyu (3-10-17 Kamata, Ota-ku, Tokyo) |
| Farashi | Kudin shiga kyauta *Caji ana amfani da Manga Cafe kawai |
| Oganeza / Tambaya |
Art / gidan fanko mutane biyu Danna nan don cikakkun bayanai |
| Kwanan wata da lokaci | Mayu 8th (Jumma'a) - Mayu 30nd (Lahadi) |
|---|---|
| 場所 | Ikegami Honmonji Temple/Mataki na musamman na Waje (1-1-1 Ikegami, Ota-ku, Tokyo) |
| Oganeza / Tambaya | J-WAVE, Nippon Broadcasting System, Hot Stuff Promotion 050-5211-6077 (ranar mako 12:00-18:00) |
|
Kwanan wata da lokaci |
Asabar, 8 ga Agusta, Lahadi, Satumba 31st |
|---|---|
| 場所 | Ota Ward Hall / Aplico Babban Hall (5-37-3 Kamata, Ota-ku, Tokyo) |
|
Farashi |
Duk kujerun da aka tanada (haraji sun haɗa da) S kujeru yen 10,000, A kujeru 8,000 yen, B kujeru 5,000 yen, 25 shekaru da ƙasa (A da B kujeru kawai) 3,000 yen |
| Kwana |
Masaaki Shibata (conductor), Mitomo Takagishi (director) |
| Oganeza / Tambaya | (Foundationungiyar haɗin gwiwar jama'a ta jama'a) taungiyar Promungiyar Al'adu ta Ota Ward 03-3750-1555 (10:00-19:00) |
|
Kwanan wata da lokaci |
Lahadi, 9 ga Disamba |
|---|---|
| 場所 | Atelier Hirari (3-4-15 Unoki, Ota-ku, Tokyo) |
|
Farashi |
JPY 3,500 |
| Kwana |
Naoki Kita (violin), Satoshi Kitamura (bandoneon) |
| Oganeza / Tambaya |
Atelier Hirari |
Sashin Hulda da Jama'a da Sashin Jiran Jama'a, Sashen Inganta Al'adu da Al'adu, taungiyar Tallata Al'adun Ota Ward
![]()