Bayani

Yayoi Toda (violin)

Matsayi na 54 a Gasar Kiɗa na Japan na 1, da matsayi na 1993 a Gasar Kiɗa ta Duniya ta Sarauniya Elisabeth a cikin 4. Ya karɓi lambar yabo ta Idemitsu Music 20th. CD ɗin sun haɗa da "Bach: Complete Solo Violin Sonatas & Partitas", "Ƙarni na 2 Solo Violin Works", tarin duwatsu masu daraja "Mafarkin Yara", "Frank: Sonata, Schumann: Sonata No. 3", "Enescu" : Sonata No. 1, Bartók: Sonata No. 2022." A cikin 1728, "Bach: Cikakkun Ayyuka marasa Rakiya" za a sake yin rikodin kuma a sake shi. Kayan aikin da aka yi amfani da shi shine Guarneri del Gesu (wanda aka yi a XNUMX) mallakar Chaconne (Canon). An gayyace shi a matsayin alkali ga gasar kiɗa ta duniya ta Sarauniya Elisabeth da Gasar Internationalasashen Duniya ta Bartók. A halin yanzu farfesa a Sashen Ayyuka, Faculty of Music, Jami'ar Ferris, kuma malami na ɗan lokaci a cikin Faculty of Music, Jami'ar Toho Gakuen.

Kikue Ikeda (violin)

Ya ci kyaututtuka a Gasar Kiɗa na Japan, Gasar Kayan Aikin Kaya ta Washington, da Gasar Viana da Motta a Portugal. Tun 1974, ya kasance na biyu violinist na Tokyo Quartet na 2 shekaru. Kayan aikin da aka yi amfani da su sune na 39 "Louis XIV" wanda Nicolo Amati ya yi da biyu da aka yi a 1656, duka biyun da Corcoran Museum of Art suka ba da rance, da kuma 14 Stradivarius "Paganini" da Nippon Music Foundation ya ba da rance (har zuwa 1672). Ya karɓi yabon Ministan Harkokin Waje a 2. Quartet na Tokyo ya sami kyaututtuka da yawa, ciki har da lambar yabo ta STERN daga mujallar STERN ta Jamus, lambar yabo ta Best Chamber Music Recording of the Year award daga British Gramophone mujallar da American Stereo Review mujallar, Faransa Diapason d'Or lambar yabo, da bakwai Grammy Award gabatarwa. Farfesa Nin, malami na Suntory Chamber Music Academy.

Kazuhide Isomura (viola)

Ya yi karatu a Toho Gakuen and Juilliard School of Music. Bayan kafa Tokyo Quartet a 1969 kuma ya lashe matsayi na farko a Gasar Kiɗa ta Duniya ta Munich, ya ci gaba da yin wasan kwaikwayo a duk faɗin duniya tsawon shekaru 1, wanda ke New York. Ya lashe kyautuka da yawa saboda rikodin rikodinsa tare da Tokyo Quartet, kuma ya fitar da CD na viola solos da sonatas a matsayin mutum ɗaya. A cikin 44, ta sami lambar yabo ta Nasarar Ma'aikata daga Ƙungiyar Viola ta Amurka. A halin yanzu, shi malami ne na musamman a Jami'ar Toho Gakuen kuma malami a Kwalejin Kiɗa na Suntory Hall Chamber.

Haruma Sato (cello)

A cikin 2019, ta zama Bajafaniya ta farko da ta lashe sashin cello na gasar kiɗa ta ƙasa da ƙasa ta Munich. Ya yi wasa tare da manyan makada a gida da waje, ciki har da kungiyar kade-kade ta Bavaria Symphony Orchestra, kuma an sami karbuwa sosai a karatuttukansa da wasannin wake-wake na dakin. CD na halarta na farko daga babbar Deutsche Grammophon a cikin 2020. Kayan aikin da aka yi amfani da shi shine 1903 E. Rocca da aka ba da lamuni ga Tarin Munetsugu. Kyauta ta 2018st da kyauta ta musamman a Gasar Cello ta Duniya ta 1 Lutosławski. Matsayi na 83 a sashin cello na gasar kiɗan Japan na 1, da kuma lambar yabo ta Tokunaga da lambar yabo ta Kuroyanagi. Ya karɓi lambar yabo ta Hideo Saito Memorial Fund, lambar yabo ta kiɗan Idemitsu, lambar yabo ta Nippon Karfe Music, da lambar yabo ta Kwamishinan Al'adu na Hukumar (Kashi na Ƙasashen Duniya).

Midori Nohara (piano)

Ya ci matsayi na 56 a Gasar Kiɗa na Japan na 1. Bayan kammala karatunsa daga Jami'ar Fasaha ta Tokyo a saman ajinsa, ya koma Faransa kuma ya sami matsayi na 3 a gasar Piano ta kasa da kasa ta Busoni, matsayi na 2 a gasar Piano ta Budapest Liszt, da matsayi na 23 a gasar Long-Thibault International ta 1. Gasar Piano. Baya ga ayyukan karatunsa, yana aiki tare da haɗin gwiwar masu gudanarwa da ƙungiyar kade-kade a cikin gida da na duniya, da kuma kiɗan ɗaki. A cikin 2015, an gayyace shi a matsayin mai shari'a don sashin piano na Long-Thibault Crespin International Competition. CDs: "Hasken Wata", "Kammala Aikin Ravel Piano", "Shekarar Hajji 3 & Piano Sonata", da dai sauransu. Mataimakin farfesa a Jami'ar Tokyo na Arts kuma malami mai ziyara a Kwalejin Kiɗa na Nagoya.

メ ッ セ ー ジ

Yaya Toda

Ina so in gode wa Mista Ikeda da Mista Isomura, wadanda su ne membobi na Tokyo Quartet, saboda babban goyon bayan da suka bayar a New York, kuma wannan zai kasance karo na biyu da muke aiki tare. Na yi aiki tare da ƴan wasan pian Midori Nohara sau da yawa akan abubuwa masu wahala daga Shostakovich da Bartok, kuma ita ce abokiyar aikina da aka amince da ita. Wannan zai zama haɗin gwiwarmu na farko tare da ɗan wasan kwaikwayo Haruma Sato, wanda ɗaya ne daga cikin manyan matasan Japan masu kishin ɗabi'a kuma mai himma a duniya, kuma muna sa ran yin Debussy tare da shi. Idan ya zo ga kiɗa, haɗa kai da mawaƙa da za ku iya amincewa da gaske zai ƙara kyawun aikinku da jin daɗin aiwatar da shi. Har ila yau, wannan lokacin yana da daraja a gare ni. Ina sa rai.

Wanda ya dauki nauyin: Kungiyar Isai ta Japan
Mai Tallafawa: Ƙungiyar Cigaban Al'adu ta Birnin Ota
Taimakawa: Ofishin Jakadancin Masarautar Belgium
Ofishin Jakadancin Faransa a Japan/Institut Francais
Ma'aikatar Harkokin Waje
Ƙungiyar Cello ta Japan
Ƙungiyar Japan-Belgium

Tikitin stub sabis na Apricot Wari